Willem de Kooning - Endless Painting

Published on the occasion of Willem de Kooning: Endless Painting, 555 West 24th St, New York, an exhibition organized with the support of the Willem de Kooning Foundation and curated by Cecilia Alemani, Donald R. Mullen, Jr. Director & Chief Curator of High Line Art. The book documents paintings by the artist dating from 1944 through 1986 and two sculptures, with a dedicated plates section featuring the works in the exhibition, installation shots, and contextual images of the artist. Endless Painting is the sixth solo exhibition of de Kooning’s work presented by Gagosian, with the first organized in 1987. A pioneering figure of the postwar era, de Kooning probed the expressive potential of color, line, and space and continuously challenged the boundaries between figuration and abstraction. Through the considered placement of late paintings the exhibition foregrounds visual motifs that recurred throughout de Kooning’s career. This approach reflects Alemani’s close investigation of paintings from the 1980s in which she identified an expansive repertoire of human forms—elbows, knees, mouths, eyes—that can be traced as far back as the artist’s works of the 1930s and 1940s that drew on Cubism and Surrealism.